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Jim Olsen: Press

"Thoroughly grounded in both classical and jazz composition, composer Olsen displays progressive prowess on these daring charts. From the opening, syncopated pedal point ostinato of "The Shining Path," to the avant-garde and classically-influenced "Fragments," to the rippin' dissonant brass clusters of Ornette Coleman's "Ramblin'," this recording lacks nothing in the way of innovative arranging."
Michael Brewin - Oregon Jazzscene
"This is contemporary jazz, and some tracks - notably the 20 minute title cut - occasionally may leave the casual listener behind. But it's a delight for those who like the deep sound of a lot of brass, not to mention the occasional piano, guitar or synthesizer."
John Thompson - Eugene Register-Guard
"...an adventurous big-band session in the manner of Sauter-Finegan, Gil Evans or, more recently, Maria Schneider and others who traverse the entire spectrum of orchestral possibilities. Olsen's compositions (all but Ornette Coleman's "Ramblin'" are his) are thickly textured and cerebral, commanding one's resolute consideration."
Jack Bowers - Cadence
"Very innovative, very adventuresome, very creative."
John Harmon - composer/pianist, Matrix